Silbando — from the Spanish silbar, "to whistle" — refers to icaros sung in a sustained, melodic whistle rather than in the voice. In the Shipibo and broader vegetalismo tradition, whistle songs are considered spiritually potent: the pure, unmediated tone of the breath carries the facilitator's intent directly into the ceremonial space and into the energetic field of the participant being worked with.
Whistle songs are typically received during advanced stages of apprenticeship, after years of dieta and relationship with the plant teachers. A facilitator who has received whistle songs is understood to have developed a particular depth of relationship with the spiritual dimension — the songs represent a direct transmission from the plant teachers rather than a composed or learned melody.
During ceremony at ECC, whistle songs may be sung at moments of particular spiritual significance — when the medicine is deepening, when a participant is navigating a difficult passage, or during the opening and closing prayers. Participants often describe whistle songs as arriving like a physical presence in the space — a quality attributed in the tradition to the spiritual power carried in the song itself.